Sometimes the narrator had ties to the film or was part of its cast Irene Bedard described Pocahontas-a film where she had voiced the title character, and for the 1994 remake of Little Women, stars from previous versions of the film volunteered, including June Allyson, Margaret O'Brien, and Janet Leigh (whose grandmother was blind) from the 1949 version of the film, as well as Katharine Hepburn-star of the 1933 version. TheatreVision sought notable personalities and celebrities to volunteer in providing these narrations, such as sportscaster Vin Scully, William Shatner, Monty Hall, and former U.S. A clip from Schindler's List was used to pitch the concept to the film's producers Gerald Molen and Branko Lustig, and one of the first films to be presented in this format was Forrest Gump (1994). In the 1990s at cinemas in California, RP International began to offer audio descriptions for theatrical films under the brand TheatreVision, relayed via earpieces to those who request it. After four years of development and on-air trials (which included a proof of concept that aired the descriptions on a radio station in simulcast with the television airing), WGBH officially launched audio description via 32 participating PBS member stations, beginning with the new season of American Playhouse on January 24, 1990. Margaret Pfanstiehl of Washington, D.C., who had performed descriptions at theatrical performances and had run a radio reading service known as the Washington Ear. It was developed in consultation with Dr. public television station WGBH-TV (which had already gained notability for their involvement in developing closed captioning) developed an implementation of audio description for television programming via second audio program (SAP), which it branded as 'Descriptive Video Service' (DVS).

In the 1980s, the Media Access Group of U.S. In the 1940s and 1950s, Radio Nacional de EspaГ±a aired live audio simulcasts of films from cinemas with descriptions, framing these as a form of radio drama before the advent of television. The New York Times documented the 'first talking picture ever shown especially for the blind' - a 1929 screening of Bulldog Drummond attended by members of the New York Association for the Blind and New York League for the Hard of Hearing, which offered a live description for the visually-impaired portion of the audience.

The transition to ' talkies' in the late 1920s displaced this audience, but resulted in a push to make them accessible to the visually impaired. Silent films could naturally be enjoyed by the deaf due to the lack of spoken dialogue or sound whatsoever. Further details may exist on the talk page. Please expand the article to include this information. This article is missing information about History in regards to theatrical use. To promote accessibility, some countries (such as Canada and the United States) have implemented requirements for broadcasters to air specific quotas of programming containing audio description. In North America, Second audio program (SAP) is typically used to deliver audio description by television broadcasters. In film and television, description is typically delivered via a secondary audio track. Docents or tour guides can be trained to employ audio description in their presentations. In museums or visual art exhibitions, audio described tours (or universally designed tours that include description or the augmentation of existing recorded programs on audio- or videotape), are used to provide access to visitors who are blind or have low vision. These narrations are typically placed during natural pauses in the audio, and sometimes during dialogue if deemed necessary. Audio description, also referred to as a video description, described video, or more precisely called a visual description, is a form of narration used to provide information surrounding key visual elements in a media work (such as a film or television program, or theatrical performance) for the benefit of blind and visually impaired consumers.

English audio tracks